Welcome to the WLAC page for the MATILDA auditions! If you have any questions that are not covered here, please call 903.872.5421 or email us at info@thewlac.com - THANK YOU & SEE YOU AT AUDITIONS!
Book by Dennis Kelley | Music & Lyrics by Tim Minchin | Directed by Aimee Kasprzyk
Choreography by Annot Walthall | Music & Vocal Direction by Lora Plemons
Choreography by Annot Walthall | Music & Vocal Direction by Lora Plemons
Show dates are planned for November 10-13
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AUDITIONS WILL BE HELD IN THE FATOR STUDIO
(Red Door in Parking Lot - Directly across from the Palace Theatre) Please arrive a few minutes before your scheduled time if you need to fill out an audition form on site. |
AUDITION DATES:
YOUTH, please schedule audition times for August 15th & 16th IF YOU CANNOT MAKE THE LISTED DATES BUT STILL WANT TO AUDITION, PLEASE EMAIL THE DIRECTOR TO WORK SOMETHING OUT: Director - Aimee Kasprzyk: aimee.kasprzyk0609@gmail.com NOTE: If the Sign-up is full, please alert us so we can add additional slots. If there is a time you are only available to come at, please contact the director so she can work to get you in.
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ABOUT MATILDA
Matilda is a little girl with wit, intelligence and psychokinetic powers. She’s unloved by her parents but bonds with her schoolteacher, Miss Honey. Matilda’s school life isn’t completely smooth sailing, as the school’s mean headmistress, Miss Trunchbull, hates children and just loves thinking up new punishments for those who don’t abide by her rules. Families will be spellbound by this magical hit Broadway musical inspired by the Rohld Dahl book which inspired the classic 90’s movie.
Matilda is a little girl with wit, intelligence and psychokinetic powers. She’s unloved by her parents but bonds with her schoolteacher, Miss Honey. Matilda’s school life isn’t completely smooth sailing, as the school’s mean headmistress, Miss Trunchbull, hates children and just loves thinking up new punishments for those who don’t abide by her rules. Families will be spellbound by this magical hit Broadway musical inspired by the Rohld Dahl book which inspired the classic 90’s movie.
ABOUT THE DIRECTOR
Aimee Kasprzyk served briefly as the producer and director of the Warehouse Children’s Company in the early ‘90’s. She was last seen as M’Lynn in the hit WLAC production of Steel Magnolias and last directed the highly praised The Curious Incident of the Dog in the Night-Time and To Kill a Mockingbird on the WLAC stage. She is also proud to serve on the WLAC Board.
Aimee Kasprzyk served briefly as the producer and director of the Warehouse Children’s Company in the early ‘90’s. She was last seen as M’Lynn in the hit WLAC production of Steel Magnolias and last directed the highly praised The Curious Incident of the Dog in the Night-Time and To Kill a Mockingbird on the WLAC stage. She is also proud to serve on the WLAC Board.
AUDITION INFO
Please prepare a musical theatre style song with accompaniment that highlights your range and skill. The song should be no longer than 1 minute. Your accompaniment music should not include vocal tracks (must be karaoke style)
* Please, nothing a cappella (bring music to sing to).
* A cord to plug into phone or computer & speaker will be available.
* There may be a dance component. Please dress to move.
* Auditions will also consist of cold readings from the script.
Please prepare a musical theatre style song with accompaniment that highlights your range and skill. The song should be no longer than 1 minute. Your accompaniment music should not include vocal tracks (must be karaoke style)
* Please, nothing a cappella (bring music to sing to).
* A cord to plug into phone or computer & speaker will be available.
* There may be a dance component. Please dress to move.
* Auditions will also consist of cold readings from the script.
CAST OF CHARACTERS
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“Matilda Wormwood” - Youth Female
An imaginative girl who is clever and wise far beyond her years. She has a thirst for learning that cannot be quenched. Likable and charismatic, not annoying or pretentious. Honest and unassuming, but with a prankster streak and a strong sense of justice. Must be a very strong singer and actress, equally. Vocal range top: D5 Vocal range bottom: A3 “Miss Agatha Trunchbull” - Adult Male or Female The tyrannical headmistress at Matilda's school who despises children. Male in female clothing/makeup/hair, or female. A cruel and sadistic person, but not a brute or brash - rather, sly and conniving, cunning and slinky. Above all, must be a strong actor with a good sense of physicality and characterization. Vocal range top: G4 Vocal range bottom: A2 “Miss Jennifer Honey” - Adult Female Matilda's kindhearted teacher. She is tired of living in fear under Miss Trunchbull. Sweet, honest, caring, and intelligent, Miss Honey is timid but willing to become brave and stand up to bullies in order to protect her students. Must be a lovely, strong singer and a strong enough actor to make the role truly compelling. Vocal range top: D5 Vocal range bottom: F3 “Mr. Wormwood” - Adult Male Matilda's uncaring father. A slimy, greedy used-car salesman, unintentionally hilarious. Strong actor and comedian; improv and dance skills preferred. Must also be a relatively strong singer. Vocal range top: A4 Vocal range bottom: D3 “Mrs. Wormwood” - Adult Female Matilda's self-absorbed, negligent mother and an amateur ballroom dancer. Comedic/character actress, dancer, and singer able to carry off a sizable comedic role. Vocal range top: F5 Vocal range bottom: A3 “The Entertainer” - Adult Male The Entertainer is a sort of magical narrator for our story, playing a variety of roles throughout the show and singing various songs including the opening number "Miracle." Needs a character actor able to embody different roles using physicality and accent, as well as a strong singer. Vocal range top: A4 or Eb4 Vocal range bottom: F#3 “Bruce” - Youth Male Matilda's classmate. He is subject to punishment by Miss Trunchbull. Bruce is a genuine, kind boy with a fondness for sweets; his spirit is broken by the Trunchbull but he bounces back stronger than ever. Must be a very strong actor and singer with monologues, scenes, and solos. Vocal range top: E5 Vocal range bottom: C4 “Lavender” - Youth Female Matilda's classmate and best friend. Lavender is squeaky and super-adorable, and what she lacks in intelligence she makes up for in enthusiasm and friendliness. Must be a very strong actor and singer with monologues, featured scenes, and solos throughout. |
“Tommy”, “Eric”, and “Nigel” - Youth Males
Matilda's boy classmates. Each has important lines and solos, and some have featured dance moments as well. Singing, acting, and dancing required. “Amanda”, “Alice”, and “Hortensia” - Youth Females Matilda's girl classmates. Each has important lines and solos, and some have featured dance moments as well. Singing, acting, and dancing required. “Michael Wormwood” - Youth Male Matilda's slightly older brother. He is a deadpan comedic character, with various lines and “bits” throughout the show. Comedic actor. Will also be a “Big Kid.” Vocal range top: E5 Vocal range bottom: C4 “Mums and Dads” - Males and Females Several performers will play the Mums and Dads in the opening number "Miracle" and the Big Kids in all songs and large scenes at Matilda's school. These performers will also double as various "adult" speaking and singing roles throughout the show. Each has important lines and solos, and some have featured dance moments as well. Singing, acting, and dancing required. “Dance Corps / Big Kids” - Males and Females Featured dancers in several choreography-heavy numbers. “Doctor” - The doctor who delivers Matilda. Vocal range top: A4. Vocal range bottom: C3. “Mrs. Phelps” - A kindly librarian and Matilda’s friend. No solos or dance features; many lines. “The Escapologist” - A character in Matilda’s story. Vocal range top: E4. Vocal range bottom: C3. “The Acrobat” - A character in Matilda’s story. Vocal range top: A4. Vocal range bottom: D4. “Rudolpho” - Mrs. Wormwood’s dancing partner. Vocal range top: A4. Vocal range bottom: D#3. "Competitive Dancers” - Mrs. Wormwood and Rudolpho’s dancing competition. “Judge” - The judge at Mrs. Wormwood and Rudolpho’s dancing tournament. “Cook” - The cook at Miss Trunchbull’s school. “Mechanic” - A mechanic who works for Mr. Wormwood at the used car lot. “Sergei” - A Russian mob boss who Mr. Wormwood rips off. “Henchmen/Henchwomen” - Sergei’s Russian associates who threaten the Wormwoods. “Michael Wormwood” |
PRODUCED BY SPECIAL ARRANGEMENT WITH CONCORD THEATRICALS
BEFORE THE AUDITION:
-- Double Check the performance schedule before you audition. It's disappointing to audition, get a part and then find that rehearsals interfere with classes or that you'll be out of town during the 2 weeks the play goes on. Rehearsals and performances occur weeknights and on weekends and generally begin within a week of being cast.
-- If possible, read the script and familiarize yourself with the characters. Knowing the characters will help you to decide for which part or parts to audition. Scripts can be borrowed from the theater.
AT THE AUDITION:
-- Be on time!
-- Wear clothes that are reasonable for the audition and are comfortable.
-- Fill out an Audition Sheet. If this is your first show, then great! Awesome to have you. If you have done shows before it helps to bring a list with you so you do not have to try to remember on the spot. If you have done a lot of shows, only list those that are most recent, biggest roles, and/or from similar styles of shows.
-- Be courteous and professional. Remember you never get a second chance to make a first impression, and your audition lasts from the minute you walk in the auditorium until the moment you leave.
-- Most auditions consist of "cold readings" from the scripts. That means you will be asked to read some of the dialogue from the show, sometimes with other people sometimes by yourself. Don't worry if you stumble over words, we're looking for energy and character choices.
-- Relax; auditions do not have to be a painful process. Give it your best shot and HAVE FUN!
"It is the policy of the Warehouse Living Arts Center to cast regardless of race, color or disability. Casting of actors in roles is done on the basis of acting skill and ability demonstrated during the audition process, as well as on the actor’s appropriateness and suitability (physical, vocal, mental, emotional) for available roles. Being invited to an audition does not guarantee that a person will be cast. Occasionally, a cast may be expanded to accommodate a large turnout of talent. "
** Be sure to sign up for our newsletter to receive email notifications of future auditions!
-- Double Check the performance schedule before you audition. It's disappointing to audition, get a part and then find that rehearsals interfere with classes or that you'll be out of town during the 2 weeks the play goes on. Rehearsals and performances occur weeknights and on weekends and generally begin within a week of being cast.
-- If possible, read the script and familiarize yourself with the characters. Knowing the characters will help you to decide for which part or parts to audition. Scripts can be borrowed from the theater.
AT THE AUDITION:
-- Be on time!
-- Wear clothes that are reasonable for the audition and are comfortable.
-- Fill out an Audition Sheet. If this is your first show, then great! Awesome to have you. If you have done shows before it helps to bring a list with you so you do not have to try to remember on the spot. If you have done a lot of shows, only list those that are most recent, biggest roles, and/or from similar styles of shows.
-- Be courteous and professional. Remember you never get a second chance to make a first impression, and your audition lasts from the minute you walk in the auditorium until the moment you leave.
-- Most auditions consist of "cold readings" from the scripts. That means you will be asked to read some of the dialogue from the show, sometimes with other people sometimes by yourself. Don't worry if you stumble over words, we're looking for energy and character choices.
-- Relax; auditions do not have to be a painful process. Give it your best shot and HAVE FUN!
"It is the policy of the Warehouse Living Arts Center to cast regardless of race, color or disability. Casting of actors in roles is done on the basis of acting skill and ability demonstrated during the audition process, as well as on the actor’s appropriateness and suitability (physical, vocal, mental, emotional) for available roles. Being invited to an audition does not guarantee that a person will be cast. Occasionally, a cast may be expanded to accommodate a large turnout of talent. "
** Be sure to sign up for our newsletter to receive email notifications of future auditions!
